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 Chronological List of Compositions by T.J. AndersonWorks from American Composers Edition are Available Through www.composers.com
 1958-1959 1960-1969 1970-1979 1980-1989 1990-present Pyknon Overture. Orchestra. 1958 Ph.D dissertation Univ.of Iowa, 1958
 String Quartet, No. 1 String quartet. 1958. Ph.D. dissertation, Univ. of Iowa, 1958.
 
 Introduction and Allegro Orchestra. 1959. 1st performance: Oklahoma City Symphony
 Orchestra: Guy Fraser Harrison, Conductor. 1959.
 Duration: 8 min.
 Publisher: N.Y.: Composers' Facsimile Edition.
 
 New Dances Orchestra 1960. 1st performance: Oklahoma City Symphony Orchestra: Guy Fraser Harrison, Conductor. 1960.
Duration: 17 min.
 Publisher: N.Y: Composers' Facsimile Edition, 1967.
 
 Trio Concertante Clarinet, trumpet, trombone, and band. 1960. 1st performance: Langston University Band: W.E. Sims, Conductor. 1961
Published: N.Y.: American Composers' Alliance.
 
 Classical Symphony Orchestra. 1961. Commission: Oklahoma City Junior Symphony Orchestra: 1st performance: Oklahoma City Junior Symphony Orchestra: T. Burns Westman, Conductor. 1961.
Publisher: N.Y.: Composers' Facsimile Edition
 
 Six Pieces for Clarinet and chamber Orchestra Clarinet and chamber orchestra. 1962.
Dedication: Earl Thomas and the Oklahoma City Symphony Orchestra. 1st performance: Oklahoma City Symphony Orchestra: Guy Fraser Harrison,
 Conductor; Earl Thomas, soloist. 1962.
 Duration: 13 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1966.
 
 Five Bagatelles for Oboe, Violin , and Harpsichord Harpsichord, oboe, and violin. 1963.
Dedication: Louise Clarkson. 1st performance: Norman, Oklahoma: Catherine Paulu, Oboe; Norman Paulu, Violin.; Leonard Klein,Harpsichord. 1963. Duration: 8 1/2 min
 Publisher: N.Y. Composers' Facsimile Edition, 1963.
 
 Five Etudes and a Fancy for Woodwind Quintet Woodwind quintet. 1964. 1st performance. Aspen School of Music, Aspen , Colorado: Student group,
Harry Schulman, Conductor. 1964.
 Duration: 9 min.
 Publisher: N.Y.: Composers' Facsimile Edition, 1967.
 
 Symphony in Three Movements. Orchestra. 1964. 1st performance: Oklahoma City Symphony Orchestra; Guy Fraser Harrison, Conductor. 1964.
Duration: 15 min.
 Publisher: N.Y.; Composers' Facsimile Edition, 1966
 
 Squares, an Essay for Orchestra. Orchestra. 1965. Commission: West Virginia State College for its 75th anniversary. 1st performance: Chickasha, OK: Oklahoma City Symphony Orchestra, Guy Fraser Harrison, Conductor. 1966.
Duration: 10 min.
 Publisher: N.Y.: Composers' Facsimile Edition, 1966.
 Recording : Columbia, M33434. Baltimore Symphony Orchestra. Paul Freeman, Conductor. 1975.
 
 Five Portraitures of Two People Piano music (4 hands). 1965. Dedication: Bill and Fay Bolcom. 1st performance. Nashville, TN. First Unitarian Church. Enid Katahn, Lucien Stark, piano. 1968.
Duration: 10 min.
 Publisher: N.Y.: Composers' Facsimile Edition, 1967.
 
 Personals Cantata for chorus and brass septet, with narrator. 1966. Text: Arna Bontemps. Commission: Fisk University for its 100th anniversary. 1st performance: Nashville, TN.: Fisk University Choir, Robert Jones, Conductor. 1966
Duration: 15 min.
 Publisher: N.Y.: Composers' Facsimile Edition. Recording: Fisk University Choir, Robert Jones, Conductor. 1966.
 
 Connections, a Fantasy for String Quintet. String quintet. 1966. Dedication: Darius Milhaud. 1st performance: Nashville, TN: Blair String Quartet and Ovid Collins, violist. 1968.
Duration: 12 min.
 Published: N.Y.: Composers' Facsimile Edition. 1967.
 
 Rotations Band Music. 1967. Dedication: Tennessee State University Band.
Duration: 15 min.
 Published: N.Y.: Composers' Facsimile Edition. 1967.
 
 In Memoriam Zach Walker Band Music. 1968. Dedication: Coatesville (PA) High School Band: Donald Suter, Conductor, 1969.
Duration: 4 min., 30 sec.
 Publisher: N.Y.: Composers' Facsimile Edition. 1968.
 
 Chamber Symphony Chamber Orchestra. 1968. Commission: Thor Johnson.
1st performance: Nashville Symphony Orchestra, Thor Johnson , Conductor. 1969.
 Duration: 14 min.
 Publisher: N.Y.: Composers' Facsimile Edition. Recording: CRI. SD 258, Royal
 Philharmonic Orchestra, James Dixon, Conductor.
 
 Variations on a Theme by M.B. Tolson. . Cantata: soprano, violin, cello, alto sax
trumpet, trombone, piano. 1969. Dedication: Lois Anderson.
 1st performance: Bernadine Oliphint, soprano; Atlanta Symphony Orchestra Players; T.J. Anderson, conductor. 1970.
 Duration: 15 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1969. Recording: Nonesuch H 71303. The Contemporary Chamber Ensemble, Arthur Weisberg, Conductor.: Jan De Gaetani, mezzo soprano. 1974.
 
 Return to Top Intervals Orchestra. 1970-71. Commission: Robert Shaw. Notes: This work contains seven sets. Set I is to be performed before intermission, Sets II-VI are to be performed during intermission and Set VII is to be performed after intermission.
This piece may be performed using sets I and VII under the title, Set VIII. Sets II through VI may also be performed separately.
 Duration: 1 hr.,
 Publisher: N.Y., Composers' Facsimile Edition. 1972.
 
 Transitions Chamber ensemble: flute, clarinet, bassoon, horn, trumpet trombone, violin, viola, cello, piano. 1971. Commission: Berkshire
Music Center and the Fromm Music Foundation. 1st performance:
 Tanglewood Festival of Contemporary Music, Charles Darden, Conductor. 1971.
 Duration: 13 min., 30 sec.
 Publisher: N.Y. Composers' Facsimile Edition. 1971.
 
 Watermelon Piano. 1971. Dedication: Dominique-Rene de Lerma. 1st performance: Bloomington, IN., Hans Boepple, piano. 1972.
Duration: 6 min.
 Publisher: Berlin, Germany, Bote & Bock. 1971.
 
 This House. Male Glee Club, four chromatic pitch pipes. 1971. Dedication: Wendell Whalum and the Morehouse College Glee Club.
1st performance: Atlanta, GA Morehouse College Glee Club, Wendell Whalum, Conductor. 1972.
 Duration: 5 min., 30 sec. Publisher: N.Y.: Composers' Facsimile Edition, 1978.
 
 Block Songs Solo soprano, children's toys (commercial musical busy box), chromatic pitch pipe, and jack-in-the-box. 1972. Text: Pearl Lomax . Dedication: T.J., Janet, and Anita Anderson. 1st performance: Boston, MA. Boston Musica Viva, Elsa Charlston, soprano. 1976.
Duration: 12 min.
 Publisher N.Y. Composers Facsimile Edition. 1972.
 
 Swing Set Duo: Clarinet and piano. 1972. Commission: Thomas Ayres. 1st performance: Iowa City, University of Iowa: Thomas Ayres, clarinet: Carol Lesniak, piano. 1973.
Duration: 12 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1972.
 
 Beyond Silence Tenor, clarinet, trombone, viola, cello, and piano. 1973 Text: Pauline Hanson. 1st performance: Cambridge, MA. Busch-Reisinger Museum; Boston Musica Viva, Richard Pittman, Conductor.; Scott MacAllister, tenor. 1973,
Duration: 15 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1973.
 
 Five Easy Pieces Trio (violin, piano, Jew's harp). 1974. 1st performance: Winchester, MA, Winchester Music Club: T.J. Anderson, III, violin:, Janet Anderson, piano: Anita Anderson, African rattle. 1974.
Duration: 5 min.
 Publisher: N.Y: Composers' Facsimile Edition. 1974.
 
 In Memoriam Malcolm X Voice and orchestra. 1974. Text: Robert Hayden. Commission: The Symphony of the New World (NY) for Betty Allen. 1st perfromance:
N.Y. City, Lincoln Center; Symphony of the New World; Leon Thompson, conductor, Betty Allen, Mezzo soprano
 Duration: 10 min.
 Publisher: N.Y: Composers' Facsimile Edition. 1974.
 
 Horizons' 76 Soprano and orchestra. 1975. Text: Milton Kessler. Commission: National Endowment for the Arts for the Bicentennial of the U.S.
Duration: 1 hr.
 Publisher: N.Y.: Composers' Facsimile Edition. 1975.
 
 Fanfare Solo trumpet and four mini-bands. 1976.
Commission: American Wind Symphony of Western Pennsylvania. 1st performance: Norfolk, VA: American Wind Symphony, Robert Boudreau, Conductor. 1976.
 Duration: 10 min.
 Publisher: N.Y. C.F. Peters. 1976.
 
 The Shell Fairy an operetta in two acts. Story by Chester M. Pierce, adaptation and lyrics by Sara S. Beattie. 4 soloists, chorus, dances and piano or chamber orchestra. 1976-1977.
Duration: 1 hr.
 Publisher: N.Y.: Composers' Facsimile Edition. 1977.
 
 Minstrel Man Bass trombone & percussion (one player). 1978. Commission: Thomas Everett Dedication: Thomas Everett. 1st performance: Providence, RI, Brown University; Thomas Everett, bass trombone. 1978.
Duration: 10 min.
 Publisher :Germany, Bote & Bock. 1977.
 
 Variations on a Theme by Alban Berg Viola and piano. 1977. 1st performance: Cambridge,MA, Longy School of Music; Marcus Thompson, viola; Seth Carlin, piano. 1978.
Duration: 12 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1977.
 
 Re-Creation Three readers, dancer, violin, cello, trumpet, alto saxophone, piano, and drums. Sign language, with gestures reflected in dance. 1978. Text: Leon Forrest; Commission: Richard Hunt. 1st performance: Chicago, IL, T.J. Anderson, Conductor. 1978.
Duration: 30 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1978.
 
 Street Song Piano. 1977. Dedication: Vivian Taylor. 1st performance: N.Y., Alice Tully Hall: Vivian Taylor, piano. 1979.
Duration: 8 min.
 Publisher: Germany, Bote & Bock. 1979.
 
 Play Me Something Piano, small , hands. 1979. Dedication: Kathy Mortenson. 1st performance: Eric Fieleke, piano. Weston, MA, Music School at Rivers. 1979.
(Used in class piano at Chico State University)
 Duration: 5 sec. to 5 min.
 Publisher: N.Y.,Composers' Facsimile Edition. 1979.
 
 Messages, A Creole Fantasy . Orchestra. 1979. Dedication: To the family of Ila Marshall and David De Witt Turpeau.
Duration: 14 min.
 1st performance: Atlanta Symphony Orchestra. Robert Shaw, Conductor. 1980.
 Published: Carl Fischer, Inc.
 
 Spirituals Orchestra, jazz quartet, chorus, children's choir, tenor, and narrator. 1979. Commission: Union United Methodist Church, Boston, MA Text: Robert Hayden;
Visuals: Stanley Madeja. 1st performance: Atlanta Symphony Orchestra, Robert Shaw,
 Conductor; William Brown, Soloist. 1982. For dedication of the Martin Luther King , Jr.
 Center for Social Change.
 Duration: 35 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1979.
 
 Reutrn to Top Vocalise Violin and harp. 1980. Commission: Richard Hunt for Jacques &
Gail Israelivitch. 1st performance: Webster College, St. Louis, MO, Nov. 23, 1980.
 Jacques Israelivitch, violin; Gail Israelivitch, harp.
 Duration: 8 min.
 Publisher: N.Y. Composers' Facsimile Edition. 1980.
 
 Soldier Boy, Soldier , Opera in Two Acts.
Orchestra, chorus, jazz combo, 5 soloists. 1982. Commission: Indiana University and
 the National Endowment for the Arts. Libretto: Leon Forrest.
 Duration: An evening's entertainment
 1st performance: Bloomington, IN: University of Indiana. Oct.23,30, Nov.6, 1982.
 Robert Porco, Conductor; Alan Brody, Director; Max Rothlisberger, Stage Design.
 Lead voices: William Brown, tenor; Alteouise DeVaugn, mezzo soprano; Kevin Maynor,
 bass; Roberta Gumbel, soprano; and William Johnson, spoken part.
 Publisher: N.Y. Composers' Facsimile Edition. 1982.
 
 Inaugural Piece Three trumpets and three trombones. 1982. Dedication: Bernard
and Marie Harleston. 1st performance: N.Y., NY. City College: The City College Brass Ensemble for the Inauguration of Bernard Harleston as President, City College,
 Feb. 18, 1982.
 Published: N.Y. Composers' Facsimile Edition. 1982.
 
 Jonestown Children's choir and piano. 1982. Text: T.J. Anderson III
Commission: Chicago Children's Choir for Christopher Moore.
 Duration: 3.5 min.
 1st perfomance: Boston, MA, Boston University: Children of Black Persuasion: John Ross, Conductor. May 6, 1984.
 Publisher: N.Y.: Composers' Facsimile Edition, 1982.
 
 Call and Response Solo piano. 1982. Dedication: Ila Turpeau, on her 100th Birthday.
Duration: 3 min.
 1st performance: Medford, MA, Tufts University: Mildred Freiberg, piano. 1982.
 Publisher: Germany, Bote & Bock. 1983.
 
 Urban Recollections Solo piano. 1971, l977, 1982. NOTE: Watermelon, Street Song, and Call and Response can be performed collectively under the title, Urban Recollections. Duration: 17 min. Publisher: Bote & Bock. 1983.
 Thomas Jefferson's Minstrels Solo baritone, male glee club and jazz band. 1982.
Text: T.J. Anderson . 1st performance: Medford, MA. Tufts University, April 15-16, 1983.
 Sherwood Collins, Director: Robert Honeysucker, baritone: members of the Tufts Chorale,
 Tufts Jazz Band; T.J. Anderson, Conductor.
 Duration: An evening's entertainment.
 Publisher: N.Y.: Composers' Facsimile Edition. 1982.
 
 Intermezzi B flat soprano clarinet, E flat alto saxophone, and piano. 1983.
NOTE: May also be performed as solo compositions using the titles, Intermezzo for Solo
 Clarinet Intermezzo for Solo Saxophone, and Intermezzo for Solo Piano . As three solo pieces, use the title, Intermezzi .
 Dedication: Laurie, Karen & Timmy Rahmeier. 1st performance: Intermezzo for Solo Saxophone, Intermezzo for Solo Piano, and
 Intermezzi at Quartz Mt., Oklahoma; Oklahoma Summer Arts Institute; Eric Ginsberg,
 clarinet; Jerry Neil Smith, alto saxophone; Peggy Payne, piano. June 6, 1984. 1st
 performance: Intermezzo for Solo Clarinet Laurie Rahmeier, Medford, MA., Tufts
 University. Sept. 2, 1983.
 Recording: Intermezzi. Videmus Plays Music of African-American Composers. (T.J.
 Anderson, David Baker, Olly Wilson, Donal Fox). New World Records. June, 1992.
 Duration: 6 min.
 Publisher: Germany: Bote & Bock. 1983.
 
 Thomas Jefferson's Orbiting Minstrels and Contraband. A 21st Century celebration of
19th Century form. String quartet, woodwind quintet, jazz sextet, dancer, soprano,
 computer, visuals, and keyboard synthesizer.
 Text: Stephen Soreff; Poem: T.J. Anderson III.; Spoken Text and Scientific Adviser:
 Herbert Friedman; Visuals: Stanley Madeja; Sculptures: Richard Hunt; Electronic tape:
 Erik Lindgren. 1st performance: Feb. 12, 1986. DeKalb, IL, Northern Illinois University.
 Steven Squires, Conductor; Lee Cloud, Musical Coordinator; Diane Ragains, soprano;
 Danielle Jay, dancer; Geoffrey Madeja, technical director; Herbert Nelson, media consultant;
 Dennis De Lap, graphic desighn; Donna Flanagan, production assistant; the Shanghai
 String Quartet; 12 musicians, 3 technicians.
 Duration: 1 hr., 35 min.
 Publisher: N.Y : Composers' Facsimile Edition. 1984.
 
 Sunstar for solo trumpet and cassette recorder.
Dedication: Dizzy Gillespie.
 Duration: 10 min., 15 sec.
 1st performance: May, 1994. Columbus, Ohio State
 University; Richard Burkart, tpt; Peter Tender, electronics
 Publisher: N.Y. Composers’ Facsimile Edition, 1984
 
 In Memoriam: Graham Wootton for organ
1st performance: Joyce Galantic, Medford, MA. Tufts University, Goddard Chapel.
 Nov. 25, 1985. (Memorial Services for Graham Wootton)
 Duration: 1 min., 10 sec.
 Publisher: unpublished manuscript.
 
 Fanfare for School Volunteers for Boston. 3 - B flat trumpets, 4 - F horns,
3 - trombones, tuba, tenor drum. 1st performance: Boston, MA. City Hall Plaza,
 with the composer conducting students from the New England Conservatory.
 May, 1986.
 Duration: 4.5 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1986.
 
 Bridging and Branching . Flute and double bass
Commission: Richard Hunt in celebration of his 50th birthday, for Joseph Guastafeste.
 1st performance: Chicago, IL. Studio of Richard Hunt. May, 1986. Lynn Leifer, flute;
 Joseph Guastafeste, double bass.
 Duration: 8 1/2 min.
 Publisher: Germany, Bote and Bock. 1987.
 
 What Time Is It? Boys' choir and jazz orchestra. Commission: ASCAP Foundation
and Meet the Composer, Inc. to honor a great American, Harold Arlen.
 Text: T.J. Anderson. 1st performance: New York, NY, Cooper Union; Harlem Boys'
 Choir and the American Jazz Orchestra; T.J. Anderson, conductor. Dec. 1, 1986.
 Duration: 15 1/2 min.
 Publisher: N.Y.: American Composers' Edition.
 
 Concerto For Two Violins and Chamber Orchestra
Commission: Richard Hunt for Elliott Golub, Nisanne Graff, and Music of the Baroque;
 Thomas Wikman, conductor. 1st performance: Chicago, Studio of Richard Hunt.
 May 29, 1988. Elliott Golub, Nisanne Graff, violins: Music of the Baroque, Thomas
 Wikman , conductor.
 Duration: 13 1/2 min.
 Publisher: N.Y. : American Composers' Edition, Inc.
 
 Echoes For oboe and bassoon. Commission: Pennsylvania State New Music
Performance Project, for Barry Kroeker and Daryl Durran. 1st performance: University Park, PA. Pennsylvania State University. April 6, 1988.
 Duration: 10 min.
 Publisher: Germany, Bote and Bock. 1991.
 
 Ivesiana For Violin, Cello, and Piano. Commission: The Music School at Rivers. 1988
1st performance: Weston, MA. The Music School a Rivers; Jeana Lee, violin, Dana Feder,
 cello, Jonathan Jao, piano. April 10, 1988.
 Duration: 13 min.
 Publisher: N.Y.: American Composers' Edition, Inc.
 
 Chamber Concerto (Remembrances) Commission: Cleveland State University for the Cleveland Chamber Symphony; Edwin London, Music Director. 1st performance:
Cleveland, OH. Oct. 30, 1988.
 Duration: 14 min.
 Recording Albany (Troy 303). 1998
 Cleveland Chamber Symphony, Edwin London, Music Director and Conductor
 Publisher: N.Y.: American Composers' Edition, Inc.
 
 Return to top Passacaglia and Blues for piano Dedication: Robert and Joyce Corrigan. 1st performance: Winchester, MA, Aki Shimazu Gifford, piano. June 10, 1990.
Duration: 10 min.
 Publisher: N.Y.: American Composers' Edition, Inc.
 
 Songs of Illumination (Song Cycle) for Soprano, Tenor, and Piano
Text: T.J. Anderson III Dedication: Richard Hunt, and made possible by a grant from the Guggenheim Foundation. 1st performances: Medford, MA. Tufts University.
 April 27, 1990.; Chicago, IL, Studio of Richard Hunt, April 29, 1990. Performers: Pamela Dillard, mezzo-soprano; William Brown, tenor: Vivian Taylor, piano.
 Recording: Centaur (CRC2357) : Louise Toppin, Soprano: Bill Brown, Tenor; Vivian Taylor, piano.
 Duration: 40 min.
 Publisher: N.Y. American Composers' Edition, Inc.
 Ancestral Voices for Bass Voice and Piano. Dedication: Nicholas Isherwood.
Text: Leon Forrest. 1st performance: Festival "Musica", Strasbourg, France; Nicholas
 Isherwood, bass; Eric Watson, piano. September 21, 1990.
 Duration: 8 min.
 Publisher: N.Y.: American Composers' Edition, Inc.
 
 Dear John, Dear Coltrane for Choir and Piano. Commission: University of Massachusetts
Amherst. 1989 Text: Michael Harper. 1st performance: Minneapolis, School of Music,
 University of Minnesota; Student chorus with T.J. Anderson conducting. December 4, 1990.
 Duration: 6 min.
 Publisher: N.Y. : American Composers' Edition, Inc.
 
 Bahia, Bahia for Chamber Orchestra. Dedication: Alda and Jamary Oliveira, made possible by a fellowship from the Guggenheim Foundation. 1990
1st performance: North Carolina Symphony, Gerhardt Zimmerman, Conductor. Mar.20 & 21, 1998.
 Duration: 13 min.
 Publisher: N.Y., American Composers' Edition, Inc.
 
 What Ever Happened to the Big Bands? Alto Saxophone, Trumpet, and Trombone.
 1991. Dedication: Fletcher Henderson 1st performance: Chapel Hill, NC University of North Carolina. William Bish, alto saxophone; James E. Ketch, trumpet; Keith Jackson,
 trombone. March 15, 1992.
 Duration: 12 1/2 min.
 Publisher: Germany, Bote and Bock.
 
 Egyptian Diary Soprano and two percussionists. 1991. Text: Pauline Kaldas
1st performance: Retrospective concert, Northwestern University; Evanston, IL
 Karen Pittman, soprano, Matt Gold and John Sherborne, percussion. Chicago, IL,
 The Green Mill. April 26, 1992.
 Duration: 16 min.
 Publisher: N.Y.: Composers' Facsimile Edition. 1991.
 
 Walker , a chamber opera ; commissioned by the Boston Athenaeum with a
libretto by Derek Walcott. For soprano, contralto, tenor, 2 baritone voices and
 bass; Violin, viola, flute+ piccolo, clarinet + bass clarinet, alto saxophone,
 trumpet, trombone, piano, and percussion station. 1992.
 1st performance: Concert version with 2 pianos: Boston, MA., Boston Athenaeum
 December, 9, 1993. Directed by Donna Roll. Featuring Robert Honeysucker, Andrea Bradford, Frank W. Ragsdale, Elisabeth F. Borg, Matthew Malloy, & Vincent
 Stringer. Pianists: Thomas Enman, Lisa Harer de Calvo.
 Duration: 1 hr., 15 min.
 Publisher: Boston Athenaeum
 
 Spirit songs for cello and piano. 1993.
Commission: Yo Yo Ma
 Duration: 19 min., 30 sec.
 Publisher: N.Y.: American Composers' Edition, Inc.
 1st performance: Durham, NC. Mallarme Chamber Players, January 18, 2004 Timothy Holley, cello; Thomas Warburton, piano.
 
 Here in the Flesh Hymn for congregation and piano. 1993
Text: John Masefield
 In: Singing the Living Tradition. (p.321) Boston, Beacon Press,
 Unitarian Universalist Association, 1993
 Duration: 2 min.
 1st Performance: U.U.A. General Assembly, Charlotte, NC.
 General Assembly Choir, Composer conducting. June 28, 1993
 
 7 Cabaret Songs for jazz singer, flute, viola, cello and piano. 1994
Text: Harryette Mullen
 Dedication: To William Grant Still on his centennial year
 Commission: Mallarme Chamber Players for Nnenna Freelon
 with assistance by the North Carolina Arts Council. 1st performance:
 Dayton, Ohio, Wright State University, September 16, 1995, Nnenna
 Freelon and the Mallarme Chamber Players.
 Duration: 20 min.
 Publisher: N.Y. American Composers' Edition, Inc.
 
 Grace for string quartet. 1994
Commission: Bill T. Jones/Arnie Zane Dance Company
 Duration: 20 min.
 Publisher: N.Y. American Composers' Edition, Inc.
 
 A Musical Kaddish "In Sea" for John Zimarowski for soprano and piano.
1995. Text: Mark L. Belletini.
 Dedication: Louise Toppin
 Written for The Aids Quilt Songbook
 1st performance: Durham, N.C., Duke University, November 12, 1995.
 Louise Toppin, soprano; John O'Brien, pianist.
 Duration: 8 min., 15 sec.
 Publisher: N.Y. American Composers' Alliance.
 
 Spring Song for solo harp. 1996
Dedication: Anita and Kevin Downing
 1st performance: Chapel Hill, NC Windy Hill Inn. April 20, 1996
 Anita Burroughs-Price, harp
 Duration: 3 min.
 Manuscript
 
 Broke Baroque for violin and piano. 1996
Commission: James Dargan
 1st performance: Atlanta, GA, National Black Music Caucus. 25th Anniversary
 Celebration. A Musical Tribute to T.J. Anderson, March 7, 1997
 James Dargan, violin; Terrance McKnight, piano.
 Duration: 10 min.
 Publisher: N.Y. American Composers' Alliance
 
 First Love : a song for Nadia for voice and combo. 1997
Dedication: Nadia Gifford
 Words: Lois Anderson
 Duration: 3 min.
 Publisher: N.Y.American Composers' Alliance
 
 Huh! (What did you say?) . for three performing stations; solo violin, [ violin, viola, and cello],solo clarinet.
1997
 Dedication: National Humanities Center
 1st performance, April 9, 1999. Ciompi String Quartet & Donald Oehler, clarinetist.
 Duration: 15 min.
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp, Distributor)
 
 Shouts (forty improvisations for Eva-Maria) for oboe, violin, cello, and piano. 1997.
Commission: Eva-Maria Worthington
 1st performance: Arts Club, Chicago, Nov.1, 1997. Robert Morgan, oboe; Elliott Golub, violin; Barbara Haffner, cello; Andrea Swan, piano
 Duration: 14 min.
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp, Distributor)
 Boogie Woogie Fantasy (for solo piano). 1997
Dedication: Leon Forrest
 1st performance: 70th Birthday concert, Duke University. Sept.11, 1998. Thomas Warburton, piano.
 Duration: 14:00 min.
 Publisher: N.Y., American Composers Edition.
 b Bop in 2 (for alto saxophone and 2 recorders). 1998
Commission: David Pituch
 1st performance: Krakow, Poland. March 2, 1998. David Pituch, alto saxophone
 Duration: 10 min.
 Publisher: N.Y., American Composers Edition
 The Suit (for a cappella male choir). 1998
Words: Philip Levine
 Commission: Chanticleer
 1st performance: San Francisco, Calif. March 4 & 7, 1999. Craig Johnson, Artistic Director
 Duration: 8:00 min.
 Publisher: N.Y. American Composers Edition
 Aurelia, In Memoriam for solo violin. 1999
Dedication: To the memory of Aurelia Whittington Franklin
 1st performance: National Humanities Center. April 9, 1999.
 Eric Pritchard, violin
 Duration: 1:35 min.
 Publisher: Mss
 
 Words My Mother Taught Me, A Song Cycle for Soprano and Piano. 2000
Poems: Anita Turpeau Anderson
 Dedication: Pamela L. Kelly
 1st performance: San Diego. July 2, 2000
 Pamela L. Kelly, soprano
 Duration: 12:00 min.
 Publisher: N.Y. , American Composers Edition
 
 Notes From a Friend for flute, B flat clarinet, viola, andcello. 2000
 Commission: Harvard Musical Association
 Julia Scolnik, flute; Jonathan Cohler, clarinet; Laura Bossert, viola; Terry King, cello.
 Dedication, Sherwood Bain, Malcolm Freiberg, and Chester M.Pierce
 Duration: 15:00 min.
 1st performance: Boston, Harvard Musical Association. Fall,2000
 Publisher: N.Y. American Composers Edition.
 Slip Knot: an opera in two acts. 2000.
Based on a historical paper by T.H. Breen.
 Commission: Northwestern University School of Music
 Music by T.J. Anderson; Libretto by Yusef Komunyakaa.
 Staged workshop, Rhoda Levine, director.
 Evanston, IL. Northwestern University, April 26, 2003.
 Duration: An evenings entertainment.
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp, Distributor)
 
 Game Play: for flute, viola, cello, and harp. 2001.
 Commission: Eleanor C. Eisenmenger for 20th Century Unlimited,
 Santa Fe, New Mexico.
 1st performance: Santa Fe, St. Francis Auditorium, September 14, 2002.
 Marianne Gedigian, flute; Christof Huebner, viola; Mihail Jojatu, cello;
 Ann Hobson Pilot, harp.
 Duration: 16:00 minutes
 Publisher: N.Y. American Composers Edition, Inc.
 
 Watermelon Revisited for piano. 2001.
 Commission: Guy Livingston
 Performed by Guy Livingston, piano, and recorded Dont Panic! 60 seconds for piano.
 (Wergo-6649-2) 2001
 Duration: 60 sec.
 Rights with Guy Livingston.
 
 Slavery Documents 2 (cantata) 2002.
 Commission: Cantata Singers & Ensemble
 In Memory of Donald Sur.
 Loren Schweninger; Consultant
 1st performance: Boston, Symphony Hall, March 17, 2002.
 Cantata Singers and Ensemble; David Hoose, Music Director.
 Karyl Ryczek, soprano; Cynthia Clarey, mezzo-soprano; Rockland Osgood, tenor;
 David Arnold, baritone.
 Duration: 35 min.
 Publisher: N.Y. American Composers Edition, Inc.
 
 Boogie Woogie Concertante for improvised solo piano, wind instruments and percussion.
 2003.
 Commission: Harvard University Wind Ensemble, Thomas Everett, Director.
 Dedicated to Dean Archie C. Epps, III (1937-2003).
 1st performance: Cambridge, Harvard University, December 6, 2003.
 Harvard University Wind Ensemble, Thomas Everett, Director; Donal Fox, piano.
 Duration: 25 min.
 Publisher: N.Y. American Composers Edition, 2003.
 
 Gospel Ghost for flute and piano. 2003.
 Commission: Brooks de Wetter-Smith, University of North Carolina, Chapel Hill.
 Duration: 12:30 min.
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp, Distributor)
 
 A Song for Elma Lewis for soprano and piano. 2004.
 Dedication: To Elma Lewis and Duke Ellington.
 Words by T.J. Anderson III; Music by T.J. Anderson, Jr.
 Duration: 5 min.
 Publisher: N.Y. American Composers Edition, 2004.
 
 A Sonic Language for soprano and piano. 2005
 Dedication: William Brown
 Words: T.J. Anderson III
 1st performance: Greenville, NC, East Carolina University, March 2006; Louise Toppin, soprano; John O'Brien, piano
 Duration: 8:00
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp, distributor)
 
 Ragged Edge for Chamber Orchestra (A Ragtime Reflection) 2005
 Dedication: Samuel A. Floyd, Jr.
 1st performance: Chicago, Harris Theater for Music and Dance March 15, 2006;
 Kirk Edward Smith, Conductor, New Black Music Repertory Ensemble.
 Duration: 12:00
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp., distributor)
 
 Pavane for the Wind for soprano and piano. 2006
 Dedication: For the memory of Paul Grayson
 Words: Yasmine Aida Kaldas Anderson
 1st performance: Winchester, MA May, 2006; Nancy Kurtz, soprano: Dan Loscher, piano.
 Duration: 4:20
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp., distributor)
 
 Fragments for improvised piano and large orchestra (A J.S. Bach/T.S. Monk Fantasy. 2006
 Commission: University of Iowa School of Music on its 100th Anniversary
 1st performance: Iowa City, University of Iowa, October, 2006: William L. Jones, conductor; Donal Fox, piano
 Duration: 20:00
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp., distributor)
 
 Tuftonia's Call and Response for Bass Quintet and percussion. 2007
 Commission: Tufts University Music Dept. for the opening of the Perry & Marty Granoff Music Center.
 1st performance: Medford, MA, Tufts University. Feb. 2007: Innovata Brass and Robert Schulz, percussion
 Duration; 2:30
 Publisher: T.J. Anderson Music Publishing (Subito Music Corp., distributor)
 
 In Memoriam, Gerald Gill for piano. 2007
 1st performance: Medford, MA, Tufts University. Nov. 2007 John McDonald, piano
 Duration: 2:30
 Mss., not published
 
 In Memoriam, Jennifer Anne Fitzgerald for solo trumpet 2007
 Duration: 1:30
 Mss., not published
 
 Bird Songs for Soprano and Rock Band.  Words: T.J.. Anderson III. 2008
 Commission: Erik Lindgren for Bird Songs of the Mesozoic
 First performance: Tufts University, Medford, MA  October 5, 2008.
 D�Anna Fortunato, mezzo soprano: Michael Bierylo, guitar:
 Ken Field, Alto sax; Carol Namkoong, synthesizer: Erik Lindgren, piano
 Program: In Honor of the Composer�s 80th birthday.
 Funded in part by the Composers� Assistance Program of the American
 Music Center.
 Duration: 16:30 minutes
 Publisher: T.J.. Anderson Music Publishing
 
 Jazz Overtones  for Tenor Sax, Harp, and Percussion. 2008
 Commission:  Eleanor Eisenmenger for �Ann Hobson Pilot, a great artist
 whom we all esteem�
 First performance:  Tufts University, Medford Ma, October 5, 2008
 R. Prentice Pilot, tenor sax;  Ann Hobson Pilot, harp: Will Hudgins, percussion.
 Duration: 12:00 minutes
 Publisher:  T.J.. Anderson Music Publishing
 
 The Wedding Party for poet, Visuals, Voice, Violin, E flat Alto Sax and
 B flat tenor sax.  2008
 Inspired by painting, �The Wedding Party� by LaDell
 Poetry: Billy Dean Hester; Visuals, Catherine Carter
 Dedication:  Bill and Susanna Hester
 First performance: Chapel Hill, NC, Franklin Hotel, January 9, 2009
 Billy Dean Hester, poet; Matthew A. Chicurel, violin, Cameron Morgan, alto sax: ,
 Ira Wiggins, tenor sax; Ellen William, voice
 Duration:  20:00 minutes
 Publisher: T.J.. Anderson Music Publishing
 
 In Memoriam John Hope Franklin  for solo trumpet. 2009
 First performance: Duke University Chapel.  Durham, NC  June 11,2009
 James Ketch, trumpet.
 Duration: 3:00
 Mss. not published
 
 Shells for soprano and piano.  Words by Elye Alexander. 2009.
 Dedication:  To Stafford Wing on his retirement from the Music Department,
 University of North Carolina, Chapel Hill
 First performance: Music Building, UNC, October 17, 2009.
 Terry Rhodes, soprano, Wonmin Kim, piano.
 Duration: 7:00
 Publisher: T.J. Anderson Music Publishing
 
 Georgian Ragas  for E flat Alto sax and B flat trumpet. 2009
 Dedication: George Rosen on his 90th birthday
 First performance: Walsh Gallery, Chicago, IL  February 8, 2009
 David Pituch, Alto sax: Ross Beacraft, Trumpet.
 Duration: 7:00
 Publisher: T.J. Anderson Music Publishing
 
 In Memoriam, Dan Pollitt  for accordion.  2010
 First performance: Community Church of Chapel Hill U U , April 17, 2010
 David Di Giuseppe, accordion
 Duration: 3:00
 Mss. not published
 
 In Front of My Eyes: An Obama Celebration for Soprano, Flute (Piccolo and Alto Flute), B flat Clarinet (Base Clarinet), Horn in F, B flat Trumpet, Trombone, Violin, Cello, Piano (Keyboard Synthesizer) , and Jazz Drum set (Marimba). 2010
 Commission:  University of North Carolina - Department of Music, Ackland Art
 Museum, and the N.C. Arts Council
 First Performance:  Louise Toppin, Soprano and Stefan Litwin, conducting the New Music
 Ensemble, November 13, 2010. Presented by the University of North Carolina, Chapel Hill
 Music Department and Music on the Hill, Memorial Hall, UNC
 Duration: 25:00 minutes, approx.
 Publisher: T.J. Anderson Music Publishing, 2010
 
 
 
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 RECORDINGS Chamber Symphony. London Philharmonic Orchestra. James Dixon, Conductor. Composers' Recordings, Inc. (CRI-SD258), 1970. Variations on a Theme by M.B. Tolson. Contemporary Chamber Ensemble, Arthur Weisberg, Director; Jan de Gaetani, soprano. Nonesuch Records, New American Music, Vol. V. (No.H-71303), 1974. Review : Music Time 117 (1597): 242 Squares   Baltimore Symphony Orchestra. Paul Freeman, Conductor. Columbia Records (Music of Black Composers)., 1974. Classic Rags and Ragtime Songs. Conducted & with annotations by T.J. Anderson. The Smithsonian Collection, 1974. Intermezzi. Videmus Plays Music of African-American Composers. (T.J. Anderson, David Baker, Olly Wilson, Donal Fox). New World Records, June 1992. Songs of Illumination.: Louise Toppin, soprano; William Brown, tenor; Vivian Taylor, piano. Centaur (CRC2375), 1998.
 Chamber Concerto (Remembrance): Cleveland Chamber Symphony, Edwin London, Conductor. Albany Records, Troy 303 Dec. 1998.
 b Bop in 2: David Pituch, saxophone. Arizona University Recordings (Contemporary Composer and Performer Series). 2000
 7 Cabaret Songs in: It Wont Be The Same River Capstone (CPS8684).
Nnenna Freelon, Jazz Vocalist and Mallarme Chamber Players. 2001.
 
 Watermelon Revisited in: Dont Panic: 60 Seconds for Piano: Guy Livingston, piano. Wergo (WER6649 2) 2001.
 
 Words My Mother Taught Me in: Patterson, Willis, Comp. & ed. Second Anthology of Art Songs by Black American Composers. (Score and CD) 2002 Juanelle Celaire, soprano; Kathryn Goodson, pianist; CD #1. Publisher: N.Y., American Composers Edition
 
 Spirit Songs  for cello and piano in:  �Songs for the Soul�:, Bonnie Thron, cello, Thomas Warburton, piano.  Mallarme Chamber Players.  Videmus Records Albany Records (Troy 1190.)  2010
 
 In Front of My Eyes: an Obama Celebration  Music:T.J. Anderson;        
Songs: Robert Pinsky; Louise Toppin, Soprano; Stefan Litwin, Conductor; UNC New Music Ensemble    11-13-2010
 
    Return to Top ORCHESTRATIONS
Treemonisha, an opera in 3 acts; words and music by ScottJoplin. 1911
World premiere performance. January 28, 1972, Atlanta, GA
 Orchestration: T.J. Anderson
 Conductor: Robert Shaw
 Editors: T.J. Anderson & William Bolcom
 Wendell Whalum, Chorus Director
 Katherine Dunham, Stage Director
 Opera features Alpha Floyd, Simon Estes, Seth McCoy, LouiseParker, Joseph Bias, the African-American Workshop of Morehouse College, and the Atlanta Symphony Orchestra
 Score available from American Composers Alliance
 Recording of this performance with interviews available toNPR stations through satellite, 2000
 MUSIC SOURCESBote & Bock
Contact: Boosey & Hawkes, Inc.
 35 East 21st Street
 New York, NY 10010-6212
 212-358-5300
 www.boosey.com
 Composers' Facsimile Edition
American Composers' Alliance
 648 Broadway, Rm. 803
 New York, NY 10012
 Tel: 212-362-8900
 E- Mail: [email protected]
 www.composers.com
 
 C.F. Peters Corporation
373 Park Ave. South
 New York, NY 10016
 
 Carl Fischer, Inc.
 62 Cooper Square
 New York, NY 10003
 212-777-0900
 
 Boston Athenaeum
10 1/2 Beacon St.
 Boston, MA 02108
 Arizona University Recordings
T.J. Anderson Music Publishing (BMI)at The Pine Grove Studios
 10750 East Prince Road
 Tucson, Arizona 85749
 www.AURec.com
 
 MUSA (Music of the United States of America)
 Burton Memorial Tower 606
 University of Michigan
 Ann Arbor, MI 48109-1270
 Tel: 734-647-4580
 Distributor: Subito Music Corp.
 60 Depot St.
 Verona, NJ 07044
 Tel: 973-857-3440
 E-mail: [email protected]
 
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